Anneli von Knorring
Posts by Anneli von Knorring:
When I lost my voice
The voice – an instrument, the way we communicate, how we speak, what we say, how we interact with our community. What happens when we can’t speak? For me, a normal reaction is to pull back, avoid certain circumstances, avoid contact and perhaps somewhere deep inside question why social situations don’t work for me. Is it that introverted part of me?
But then, I’m also a singer. And the song is linked to my heart. So not being able to sing is devastating. That feeling of watching you passion take wings and fly off without you. A profound sense of hopelessness.
I’d like to challenge the thought pattern here, because our voice is more than our capability of making sound. We speak in silence also. Our actions, our choices in life, what we wear, who we spend time together with, our hobbies, and the list can go on.
In 2019 I lost my voice. Cold after cold and my coughing got worse, until it was an inherent part of me. I did see doctors, and it took two years until finally one doctor diagnosed me with asthma. For those of you who don’t know, asthma is a chronical inflammation in the lungs. It’s a broad diagnosis from what I understand, so many people can have asthma but with very different symptoms.
Now, those of you who know us, Nicko and me, might also remember that in 2019 we decided to make another Enchanted Duo album. Losing my voice at this point is highly impractical. But remember what I wrote before – the voice is more than making sounds. I had to do something for me during this time. I’m a very creative person and being idle just isn’t my cup of tea. So, I picked up a thread from the past – my writing. Not only did I pick it up, but I also started writing in English, which isn’t my native language. This because we were already making music for a global audience, so it didn’t make sense to write in Swedish. A lifeline while I was soul searching, wondering why I couldn’t get it together and sing.
Okay, so, coughing for two years, I could barely breathe. The muscles around my lungs were so weak, my breaths came out shallow, no strength at all, no support from my diaphragm. And to make matters worse, asthma medications impact the vocal cords and adds an element of unpredictability. Putting in the hard work to get my muscles back, didn’t solve the unpredictability – or the fact that in all this I forgot how to breathe. How can you even forget to breathe? This seems like such a fundamental part of the human body, and yet, apparently you can.
Gathering up my courage, I went to see a speech therapist, all the while feeling like ‘but I don’t have a stutter, am I not stealing someone else’s time here’. Turns out it’s one of the best things I’ve ever done. I got my voice back. I know there will always be limitations that I have to work around, but I feel like I have the tools to handle it. It won’t change the fact that my voice will never be loud enough to drown out a noisy restaurant, or that nerves tense up my voice. But I know how to avoid my voice from breaking when singing or speaking, I have relearnt to breathe correctly – doesn’t mean I don’t sometimes forget. And it doesn’t mean that I’m all of a sudden super confident about my voice – I’m still scared it will break in crucial situations.
I realise that it’s hard to explain what writing poetry and novels means to me, but it has been what kept me going when everything else seemed hopeless. It’s also an inspiration to write about characters challenging their struggles, like Siv, in my new book My Shy Dragon Wife. When reading it, observe how she’s using her voice and how it’s linked to her personal development.
We all have struggles; I like to focus on getting through them. I’m sharing this, not for you to feel sympathy, but for you to know that you’re not alone in struggling with something. And also, for those of you who struggle with your voice – there’s help available. You don’t have to be a singer or a professional speaker. Speech is such an important part of our culture and community. According to statistics a lot of people silently just bear their limitations thinking that nothing can be done about it.
So, here’s sending you a little strength and courage to do something about it 😊
Love, hope and fantasy tales,
Anneli
Siv, an anxious soul with a past that still haunts her, leaves her Vanir people behind to find a fresh start in the Seventh Troll Kingdom. Adjusting to a life where she’s valued, not belittled, is challenging. Her quiet life at Alfrida’s cozy tavern is interrupted when Tyrgil, a determined man on a dangerous quest, strides into her world. What our shy heroine doesn’t expect is to be swept off her feet by the most enchanting man to ever waltz into the tavern.
Tyrgil, having left his farm under his brothers’ care, ventures into the Seventh Troll Kingdom on a quest from the Troll King himself to tackle a perilous beast issue. But when he meets Siv, he is thrown off course. His mother has been pestering him to find a wife, and honestly, he wouldn’t mind if only he could find someone kind-hearted who reciprocates his affections. Their growing connection is overshadowed by the mystery of the beast Tyrgil is hunting – a creature whose path strangely aligns with Siv’s.
My Shy Dragon Wife is the highly anticipated second book in the “My Dragon” series, written by bestselling author Anneli von Knorring. Follow their heartfelt journey filled with magical adventure and wholesome romance, accompanied by new enchanting characters. This story promises to whisk you away to a world of tender love and wonder.
“Dive” lyrics in English and Old Norse
Dive is one of the few songs left to finish for our Werifesteria album. I had it translated into Old Norse and on this song we’ve decided to record a mixture. I still love the lyrics in both English and Old Norse. I wrote it several years ago, inspired by J.R.R Tolkien’s The Lord of the Rings and the hero’s journey.
So, for those as geeky as I am, here’s the full lyrics in both English and Old Norse. (Of course, there’s no word for marathon in Old Norse, but my translator, James Accombe creatively used ‘eilífhlaup’ meaning eternal run.
The battle changed
A sprint turned into an endless
Marathon
The passed baton
No hand to pass it on to
Expecting to drown
But I don’t
Screams under water
Alien words to a world
Submerged
The weighty chainmail
Pulls me down
Expecting to drown
But I don’t
Dive
Into my stream
Dive
My arms shall keep you safe
Whale song sung letter
Piercing my armour, bleeding flesh
And leather
In death I’m born
Touch down, the soft bottom
Expecting to drown
But I don’t
Dive
Into my stream
Dive
I shall carry you
Wherever you need to go
But I can’t
Bardaginn brá
Skeið varð endalaust ok langt
Eilífhlaup
Stafrinn gefinn
Engi hǫnd til þess at gefa
Er ván druknar
En ekki
Ǫskr undir vatni
Kynlig orð til heims
Sokkins
Brynjan þungust
Leggr mik ofan
Er ván druknar
En ekki
Kaf
Í ána mina
Kaf
Hendr mínir varði
Hvalsǫngsungin rún
Bítr brynja mín, hold blǿðandi
Ok leðr
Í dauða, em’k borinn
Ligg neðan, botninn blautr
Er ván druknar
En ekki
Kaf
Í ána mina
Kaf
Ek skal þik bera
Hvar sem þarft þú fara
En ek má ei
Love and lyrics,
Anneli
The forest nearby
We love the forest nearby. It’s a source of comfort and a sanctuary. I grieve that it’s a farm forest, but it is what it is. At least I’m fortunate to have a forest nearby.
Werifesteria means to head into the forest looking for adventure, and this is what we do. Quite often.
So, on a whim, I decided to draw a map over this favourite place of mine. As a celebration. Perhaps this patch of forest won’t perpetually be here, but at least in my heart it’ll live forever.
This is where the Stone Dragon rests, and the Old Troll grumbles, the Stone Cat sits, and the ponds look at the sky as if the forest had a pair of eyes. It’s a small area filled with magic.
I’ve decided to put this map in the Werifesteria art book 🙂
And why not indulge in some of the pictures from the forest nearby as well…
Loving the forest nearby,
Anneli
“Be the River” lyrics cards
You’re not steady until you go…
#2 in Prog’s Tracks of the Week 18/8
Great news friends, fae and followers! You helped us make a difference, and thanks to you our ‘Be the River’ ranked #2 in Prog’s Tracks of the Week 18/8.
So, you know who you are, thank you from the bottom of our hearts!
And congratulations to Nova Cascade!
How did all of this start?
Last Friday the weather held up, so we took the kids to a small beach nearby. Little frogs were out and about, and the kids built a frog island for them. Planted tufts of grass and herbs in the sand to create little hiding places.
Three or four hours passed easily. On our way home Nicko suddenly said, “Prog’s chief editor wants a band picture.”
“Um, okay, why?” I wondered.
“I think it’s because I sent ‘Be the River’ to their Tracks of the Week. Perhaps they’re thinking of including it…” Nicko replied.
And Prog did. It’s been a crazy week, and I’m kind of glad we didn’t spend hours and hours on doing a pre-save and lavish launch of ‘Be the River’ because to have a sporting chance in this vote we needed to get to work informing our tribe to give us a helping hand.
What can I say, you guys have been amazing!
The vote ended today, and ‘Be the River’ ranks at 2nd place. It’s more than I ever thought possible. So, again, thank you, thank you! And thanks to Prog for including our wild child ‘Be the River’.
We get the question now and then if progressive rock really is our genre.
It’s fair to ask, our music doesn’t cooperate being stuffed into just one box. Overall, I suppose the umbrella genre would be ambient rock, and then some songs, like ‘Be the River’ is more down the road of progressive than some of the others. Our ambition in making music is to make music we love, music from our hearts.
Let’s follow the heart,
Anneli
Here’s ‘Be the River’ again. Enjoy the mountains and the moors from Sweden!
And here’s Nova Cascade’s ‘Sleeping Dogs’ for the curious:
Here’s the link to the vote and a podcast for progressive music that featured ‘Be the River’:
‘Be the river’ that flows
The spark of inspiration lives everywhere. It’s passed from person to person, it’s whispered by trees, it’s sung by birds, it’s the mermaid you glimpse along the coastline on occasion and it’s the ‘one of a kind’ colour of the sunset one special evening.
Even if the spark is there, and we begin, far from every project comes to fruition. It’s the very nature of art and the lesson we’re learning along the way. Not everything is meant to be. But run with the project that feels right. It’s okay to stop and let projects rest for a while, then pick them up and take a new direction.
3rd of July 2020 appears to be a magical day. It’s the day Christine (Zema’s healing/Divine Alchemy) posted her prompt for epic music. I saw it, scrolled passed, scrolled back, scrolled passed and then back again. Intimidated, thinking I could never compose epic music. Then, since the Universe insisted, I sat down and tried a few beats. That summer the first skeleton of ‘Be the river’ was born.
I saw before me the river. How it starts small up in the mountains, the playfulness, how it grows, how it’s both stillness and power, how it’s life and death – the music attempts to give sound to this visual. The river of inspiration and flow. In it swims the salmons – each salmon a new idea – just take what you need. Part of the river is the water spirits, and above the surface flits dragonflies.
The salmon is a powerful spirit animal, teaching us how to carve out our own path in life. A message of not giving up. The dragonflies symbolise transformation, joy and lightness of being, and a connection with the spirits of nature.
Nicko, Christine and I had many ideas on just what the collaboration would look like for this song, the pictures for it, even the music… So many of these had to be tried and then discarded. The strange feeling of wonder, but at the same time ‘why doesn’t it work?’.
Nicko and I even had this song mixed and mastered only to go back to recording because the synth drums sounded wrong – like they didn’t do ‘Be the river’ justice. That was when Nicko contacted Marco Minnemann and he used two drumkits to create his version of the ambient drums.
Then back to mixing and mastering.
Still, the video material ideas eluded us. Again, many ideas that had to be abandoned… It sounds simple, as if it’s just to drop ideas and move on. It’s not like that. Dropping ideas actually hurts – like a loss that’s not okay to grieve. It thwarts the flow, hinders inspiration and joy. So, this too, we have to work through.
Christine set this project in motion and has been a supportive partner all along. She’s adding her frequencies and energy work to the project and we, Enchanted Duo, compose and materialise the music.
‘Be the river’ is waiting for you. 8th of August is the magical day we set it free ❤️❤️❤️
Salmons and dragonflies,
Anneli
Into the forest looking for adventures
Music needs roots, a thick durable trunk and a canopy that reaches the stars – because music is where we come from, where we’re standing, and our dreams combined.
But music doesn’t fit into the rat race – in fact, creativity doesn’t fit into the hustle culture, and so, we decided to make room for music – for dreams. We started our own company, consulting part time because we still need the buckets for the funding of our dreams – but most importantly, we’ve made time to breathe, to think, to exist and to make dreams come true – big and small, old and new.
You never know what you will find until you find it – or perhaps, truer yet, until it finds you – life and its serendipity patterns.
Twenty years ago, we made music in the kitchen, Cubase and Nicko’s electric guitar our faithful companions. The songs over the years are a flora of acoustic, dreamy pop, progressive rock and experiments where the album Explorers marks the end of attempting to mix our own music.
Returning to the roots – the Swedish forests and its myth – Werifesteria enchants us onwards. Older, hopefully a little wiser, the hustle game having hardened us and taught us patience – and the necessary sense of humour – we’re empowered by the many collaborations this new album tosses our way. To delegate with a clear framework, but at the same time also allowing the other person space for creativity is our moto. This is how we love to work – and perhaps one of the keystones in working with the Werifesteria album. To trust and respect. Alone in the dark forest at night you need to trust and respect. And we love hearing back from our Werifesteria friends about their positive experience – how working with this project also give them something extra in return.
So, what have we found?
A sustainable process of working with our songs.
The opposite of the rat race, but in a productive way. It’s not about finishing one album and then start the next – it’s about letting each song mould through its seasons – allowing the creative life to be a constant and a cycle. To leave room for thought and all the up there ideas we want to try.
A sound that feels just right. Yes! Finally, like coming home.
It’s not radically different from what we’ve been doing all along, but it has developed into a living organism that reveals something new every time we listen.
The context of our music.
The books that dive deeper into the nature and surroundings inspiring us endlessly – lore, tales and poems. And the art that, that at long last, welcomes the beholder into our realm.
Guess we’ve been dancing in the forest all along, just didn’t know how to take you with us.
Love, lore and werifesteria,
Anneli and Nicko of Enchanted Duo
Wood anemones
Ephemeral wildflowers.
Painting the forest floor in spring.
The white coat grieving the death of winter.
Just a blink of an eye
And the numerous anemone children
Move their game underground.
Tiny spring bouquets
And a dedicated small vase
Just for wood anemones
And that one time of year.
Just because the moment is brief,
Doesn’t make it any less powerful.
Nor less magnificent.
Wood anemones,
Anneli
Landvättar, landvættir, land wights
The spirits of the land.
In our modern world some still believe in land wights, others don’t.
In Swedish we say ‘Landvättar’. Sometimes these spirits include elves, trolls, giants and more – and sometimes land wights are their own type of creatures. With a second sight you might see them, but there are other psychic gifts too. Perhaps some people hear them, while others feel them.
These spirits live in or under trees, water bodies and rocks. Perhaps like the Lady of the Elderberry tree – always ask before you pick her clusters of flowers.
A land without its wights is a harsh and dangerous place to be. You’ll get lost, and nothing you plant will grow.
The Vikings took this very seriously. Old records from the Icelandic Book of Settlement describes that, upon reaching harbour, it was forbidden to keep the gaping dragon-prow on your ships because this might scare the land wights. In Egil’s saga a terrible curse (nithing) details how the land wights was going to disappear, and because of this the people living there would wander astray.
Here in Sweden folktales speak more about Little People (jordvättar) who builds their homes underground. For example, if you were to pour out boiling water you always had to call out a warning first as to not hurt the Little People. Because if you did hurt them, they might make you sick or in worst case set your house on fire.
On Christmas the tradition to put out a bowl of porridge still lives. Nowadays, people say it’s for Santa, but going back one, maybe two hundred years or so, this bowl was for the house wight. A spirit looking after the house and the farm animals. A good relationship with these spirits was very important. The house wight has often been depicted as a small man with a pointy hat. Kind of like Santa, but dressed in grey and brown.
I love to just let my pen live its own life – see who wants to be drawn. Like a drawing practise.
Below are a few of these creatures.
Nothing but love,
Anneli